2015년 2월 18일 수요일

Sociological Images: Seeing Is Believing

Posted: 17 Feb 2015 06:00 AM PST
The Baby Doll Ladies pose during Mardi Gras in New Orleans on Tuesday.Happy Fat Tuesday to all our friends in New Orleans! Don’t do anything we wouldn’t do!
If you’re not in the middle of the revelry, enjoy these Mardi Gras posts from previous years:
Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.(View original at http://thesocietypages.org/socimages)
       
Posted: 17 Feb 2015 05:59 AM PST
The first Mardi Gras parade wound its way through New Orleans in 1856, over 150 years ago. Today there are, by my count, sixty-eight official Mardi Gras parades in New Orleans and the vicinity. No doubt there are many more informal groups. Each is a private organization, typically still called krewes, wholly funded by its members.
In this sense, Mardi Gras is truly a product of local New Orleanians who choose to play a role in creating its magic every year. That is, unlike other spectacles — like the city of Las Vegas or the Macy’s Thanksgiving Day Parade — Mardi Gras in New Orleans is a non-corporate holiday facilitated, but not put on by, the city or state government. Even in light of it’s oppressive past and present, it is truly one of the most purely generous, creative, and authentic things I have ever had the pleasure to observe.
Understanding why there are so many parades is part of the story.
First, krewes have traditionally been segregated by race and gender. New krewes have formed to enable the participation of excluded groups (Zulu 1909Iris 1917) or integrate the tradition (e.g., Orpheus 1993).
Iris:
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Krewes have also emerged as commentary on this sort of exclusion. The Krewe of Tuckswas started by two white male Loyola students in 1969. They wanted to parade asflambeaux carriers — a nod to the original form of parades in which slaves or free men of color carried flames through the streets to illuminate the floats — but were denied. No white person had ever carried the flambeaux.
Annoyed, they started their own parade aimed at mocking the whole parade tradition. Their king sits on a toilet throne and to this day they TP the city in toilet paper as they parade through the streets.
Tucks, 2014 (New Orleans Advocate):
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Other parades simply reflect the unending creativity and ingenuity of the people of New Orleans. Responding to the increasing grandeur of Mardi Gras floats over time, ‘tit Rex (as in “petite”) decided to go miniature. Every year, members build tiny floats on a theme and parade them through the Marigny neighborhood. The theme in 2013? “Wee the people.”
‘tit Rex, 2013:
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Not enough sci-fi in the super krewes? There is the Krewe of Chewbacchus — riffing off the famous Krewe of Bacchus. These BacchanAliens offer an intergalactic parade, tripping down the streets of New Orleans with a Bar-2-D2 and other creations.
Chewbacchus, 2013 and 2014:
1a 1b 1c
Other parades came about to serve neighborhoods or individuals who were isolated geographically or by mobility. The Krewe of Thoth (1948) was founded in order to offer a parade to the residents of 14 institutions, off the typical parade route, that served people with illnesses or disabilities, bringing Mardi Gras to those who couldn’t come to it. Other krewes emerged simply to serve neighborhoods that tourists rarely visit.
Thoth, 2014 (notice the Tucks TP in the tree on the left):
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So there are the stories of a few Mardi Gras krewes, helping to explain the bounty of parades available to enjoy in New Orleans. If you have any favorites, please add them in the comments!
Lisa Wade is a professor of sociology at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. You can follow her on Twitter and Facebook.(View original at http://thesocietypages.org/socimages)

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